If you want to submit your writing in the new year, we need to receive your work ASAP.

We are accepting e-mail queries, as well as regular mail submissions to our review board. Be sure to include the words “Review Board” in your subject line.

This is a great time to enroll in our services and to energize your submission strategy. If your work is chosen, you'll begin the new year with your writing as a priority. You'll be enrolled in our client list for the current cycle, and your submissions will go out when the majority of agents and editors are reading. It's a great time of year to begin your new submission strategy. We’ll list openings in specific genres below. Please DO NOT send work in genres that are not listed.

If you're NOT a do-it-yourselfer and want to utilize our FULL service (rather than our A LA CARTE services), you need to send work to our REVIEW BOARD.

There are some important differences between the three levels of services. A complete list of pricing and services may be found at http://www.WritersRelief.com/comparison.asp.

If you are accepted into our FULL-SERVICE client list:

We propose, prepare, and proof content for cover letters. (You’ll benefit from what we’ve learned since 1994.)

We review and target your work to specific markets based on content, length, reading dates, etc. (You’ll never again have to spend hours researching markets for your work.)

We proof and prepare your work to industry standards, prepare master copies, and maintain electronic or hard copy versions of the work here at Writer's Relief, Inc.  (If your computer crashes, we’ll have a master copy of every title on file.)

We prepare 25 - 30 submissions for each title (or group of poems) within each two-month cycle.  (When was the last time you accomplished this?)

We print your individually addressed cover/query letters. (You don’t have to create merge files, etc.)

We track every submission. (You’ll know what’s going on with every submission without doing any filing.)

We offer guidance regarding submissions, acceptances, etc.  (Each client is assigned two personal submission strategists.)

How many submissions have you mailed in the past two months? This is a great time of year to focus energy on your writing. If you've been putting off getting your work to us, NOW is the time to send it. Writers submitting their work regularly and extensively increase their odds of acceptance . . . dramatically. This cycle is one of the best times for you to enter our client list.

We have room to invite a few more writers into our Writer's Relief family. We are reading in the following genres only:

Nonfiction (books)—Send chapter outline, proposal, sample chapters (30 pages) of your unpublished manuscript, your biography, and a self-addressed, stamped envelope. (For e-queries, chapter outline, proposal, and sample pages may be in one file.)

Novels—Send synopsis, first 30 pages of your unpublished manuscript, sample query letter, your biography, and a self-addressed, stamped envelope. (For e-queries, synopsis and samples pages may be in one file.)

Poetry—Send 10 - 12 unpublished poems, your biography, and a self-addressed, stamped envelope. (For e-queries, paste poems into one file; one poem per page.)

Short Stories or Personal/Creative Essays—Send three unpublished stories (each under 5,000 words), your biography, and a self-addressed, stamped envelope. (For e-queries, each story should be in a separate file.)

Our review is FREE. If our review board determines your writing is strong enough (and markets are plentiful enough), they will send you an invitation to join our services. They will quote you FLAT FEES at that time. You may accept or decline their invitation.

Keep in mind that we must turn away 80 percent of the work that comes to us. However, if your writing is strong, don't let procrastination, hesitation, lack of marketing experience, or fear stop you from submitting your work.

Wouldn't it be amazing to get your submissions in the mail to all the best publishers and agents? Writer's Relief has successfully helped writers beat the procrastinator in them since 1994. We help clients find the time to write.

Writers have been looking to us for years to help them alleviate the countless hours needed to research ever-changing writers' markets. We continue to have the most current and best writers' markets included in our database. Because our database is updated daily from information we receive from all of our clients, as well as thousands of journals and agents directly, our lists are more up-to-date than any market book or online source.

Send Writing Samples To:

For e-mail queries: Send to Kriste@wrelief.com. We will accept the samples as attachments ONLY in .DOC, .RTF, or .WPD format. (E-mail submissions MUST include all pieces itemized above, including complete contact information, cover letter, and BIO pasted into the body of your e-mail, and sample pages attached, or they WILL NOT be reviewed. No SASE needed for e-mail submissions.) Include the words “Review Board” in your subject line.

Or mail your submission to: Review Board, Writer's Relief, Inc., 409 South River Street, Hackensack, NJ 07601

We want to be your partner in the submission process. Call us toll-free (between the hours of 8:30 a.m. and 2:30 p.m. Eastern Time) if you have any questions. One of our personal submission strategists will be happy to spend a few minutes with you on the telephone.

Keep Writing And Submitting!

Recently an anonymous "angel" got in touch with our office to give the gift of 25 submissions to a promising writer who could use a little help. Though we cannot publish the name of the donor, the recipient wanted the opportunity to say thanks. You'll find his letter below.

To My Unknown Benefactor:
 
Thank you for your end-of-year kindness in bestowing a Writers Relief "scholarship" on me. The last few months have been very trying due to employment/financial difficulties and subsequently my being forced to relocate to a different country to find work. As a result, I was forced to suspend any active attempt to find homes for my poems. Your generosity has enabled me to continue in that endeavor and, more importantly, was a very unexpected demonstration of human kindness from a stranger.
 
May you be well rewarded in this world and beyond for your selflessnesss.
 
Sincerely,
 
D.V.

If you or anyone you know would like to give the gift of submissions (anonymously or not) don't hesitate to call our office. You can learn more about how to purchase a gift certificate by clicking here. We were all deeply moved by this random act of kindness; it was a warm and wonderful way to send off the New Year.

The author of this article is Keith Connes. He is at the 60-year point (give or take) in his burgeoning career as a professional writer. He started in radio, then became a TV-commercial writer for several major New York agencies. This enabled him to buy an airplane and morph into aviation writing. He’s now crafting more general articles, humor pieces, and short fiction and thinks he’ll stay put with those until he reaches the age of 100, which should be any day now.

Write a memoir. It doesn’t matter whether you are a beginning writer or a seasoned pro—or even if you don’t consider yourself to be a writer at all. Write a memoir to present the gift of your inner self to your family, friends, and perhaps a wider audience. You might publish only a few dozen copies for a very limited distribution, but then again, a really compelling story could become the propellant that launches your writing career.

A basic writer’s axiom advises you to “write what you know,” and what could be more familiar to you than an episode in your own life? And here’s what makes it so special: A memoir can give your loved ones a greater insight into who you are and how you got to be who you are—your thoughts, your feelings, your adventures through life, and the things you learned along the way. And you don’t have to wait until your sunset years; you can write a memoir at any age. You can do it now.

Let me be clear as to what I mean by “memoir.” Some people may think of the word “memoir” as meaning an autobiography. Well, yes, an autobiography is a very extensive memoir, taking in the entire life of the subject, but a memoir can also be just a small nugget of that person’s existence—a series of reminiscences or even a single recollection. So it’s not that daunting a task.

Even so, would your memoir really be that valuable to others? Well, think of somebody who is important to you—your mother, father, grandparent, friend—and even though you’ve known that person for years or decades, you sense that there are aspects of that person’s life that you don’t know about and wish you did. Not necessarily skeletons in the closet, but—well, wouldn’t it be fun to know that Grandma always wanted to be a trapeze artist but somehow never got around to it?

My best friend since high school was, for most of his adult life, a sales executive whose high-powered drive enabled him to found and manage several insurance companies. I thought I knew him pretty well, but I was astonished when he sent me a book of sensitive and lovely poetry that he had written! I saw an aspect of Frank I had never suspected, and my respect and admiration for him became even greater.

Well, you may not be a secret poet or even a wannabe trapeze artist, but aren’t there some unrevealed parts of you that you wouldn’t mind sharing but you haven’t gotten around to it, or maybe you’re just a little shy about it?

Write it down. Write your memoir. If it seems too daunting, you have a tape recorder—everybody has at least one. Go to a quiet place, turn the recorder on, and speak your thoughts. Don’t worry about grammar or punctuation—just talk. You can fix it later. If it would help get the thoughts flowing, sit down with someone you feel comfortable with and start chatting about a topic for your memoir. Can’t find enough quiet time? Do it in the car. Let others talk into their cell phones. What you’re doing is for posterity!

Regardless of where your memoir begins, it can take on a life of its own—because it is, after all, your own life.

Write your memoir. Do it for the ones you love, for yourself, and maybe for some great-great-grandchildren you will never know. But, through your memoir, they will get to know you.

If you have an interesting article that pertains to an aspect of creative writing, you may be able to see it published in our Newsflash! We’re always looking for articles that make grammar easy and fun, that inspire or motivate creativity, or that clear up frustrating aspects of the writing life.

Here’s what you need to know:

We acquire first-time rights (you can publish your article elsewhere after we post it). 

Articles should be no more than 500 words. 

To get ideas for our tone, style, and interests please read through the articles posted on our blog. 

Before you write your article, make sure that we haven’t already written about your topic. Use the search tools on our blog. 

Previously published work is acceptable, but you must tell us the details of the prior publication. 

Our pay rate is $25 per article.   

E-mail your completed article AND a short bio to Lisa@wrelief.com. No attachments.
 
Our response time is usually very quick—less than a week. We’re looking forward to reading your work!

What is a thriller, aside from the obvious? This genre is known for the intensity of emotion it creates. Apprehension. Exhilaration. Anxiety. The main character (MC) has a goal, a nearly impossible one at times, and a heroic effort and/or sacrifice is required to overcome obstacles and reach that goal. Time is almost always a huge concern, as the MC must accomplish some feat (rescue his girlfriend, find the antidote, stop the terrorists) before disaster strikes. The level of intensity can either build slowly throughout the book or hit the reader from the very beginning, but it must generate a level of tension that keeps the reader turning pages. Most importantly, good thrillers keep up an intense pace, and the reader is swept along for an incredible ride.

If the author has done a good job with accurate research and an intricate plot, the reader will also come away emotionally satisfied with having learned something. Thrillers, by their very definition, create a thrill, but they also provide good information about the legal system, a medical procedure, the inner world of Soviet espionage, military weaponry… Patricia Cornwell writes a series of medical thrillers based on her knowledge of the medical examiner’s world—a world that fascinates her fans, who are sophisticated and want accurate facts, not vague explanations or made-up procedures.

Thrillers are often lumped together with mysteries, but there are key differences between these genres. In mysteries the MC is presented with a puzzle (a murder, for instance) and must look for clues to solve that puzzle. In thrillers the MC faces a nightmare of a situation (impending disaster, serial killers, airborne viruses) and must learn new skills to cope with the circumstances. Most, if not all, of the “clues” are provided in a thriller, and the reader expects twists and turns and surprises rather than answers. Thrillers appeal more to the senses than an intellectual exercise in detective work, considered too “tame” for true thriller aficionados. It’s the emotional connection that counts.

Here are some of the basic subgenres of the thriller world. Keep in mind that there are often overlaps between two or more subgenres.

Medical. Modern medical technology is used to harm rather than heal. Robin Cook is the master of this genre. Forensic thrillers are another popular offshoot.

Legal. Usually, a lawyer or someone associated with the law takes on the legal system, often putting their own lives at risk. John Grisham and David Baldacci are well-known in this category.

Disaster. The town’s dam is going to burst in 24 hours or less. A ship innocently heads to port, carrying a bomb that could wipe out half of California. A meteor hurtles toward Earth. Any natural or manmade disaster that affects a large group of people can become a disaster thriller.

Action-Adventure. Difficult to successfully pull off, thanks to the huge amount of action and plot required, this is nevertheless a hugely popular genre, especially when translated to film. It’s characterized by physical action, bravery, and violence, and you’re likely to encounter high-tech weapons and remote, dangerous locations. Think The Bourne Identity.

Horror. Silence of the Lambs is a good example of this subgenre, emphasizing mental, emotional, and physical trauma for the MC as he/she battles a monster, human or otherwise. This also ties in to Serial Killer thrillers, in which the MC must track down a killer who threatens a group of people. Lots of blood and gore; lots of suspense.

Techno. This usually focuses on military technology of some sort, and this technology is essential to the plot. Tom Clancy’s work comes to mind immediately.
In the rich literary banquet of thrillers, the reader can also choose from police, spy, romantic, historical, supernatural, political, erotic, and conspiracy thrillers—and, more often than not, a combination of one or more of these subcategories. It’s a wildly popular genre overall, thanks to the adrenaline rush, complex plots, and big storylines. Thrillers are exciting. They are dangerous. And they should leave us feeling satisfied that not only did the MC save the world from (insert global threat here), but we learned a little something in the process. And even if we’ll never need to know how to detect a false heart attack during an autopsy, it makes us feel smarter if we do.

Please see individual URLs for complete contest and anthology information and submissions guidelines.

Upcoming Anthologies

Deadline: 12/21/08.
Submit to: The Queer Collection: Prose and Poetry 2009. Fabulist Flash Publishing, PO Box 570368, Las Vegas, NV 89157.
Theme: Gay, lesbian, queer themes.
Type: Poetry (40 lines MAX) and fiction (3,000 words MAX).
URL: http://www.queercollection.com/index_files/Submissions.htm

Deadline: 12/31/08.
Submit to: A Generation Defining Itself: Volume 8. E-mail to: mwe@evenstar.net.
Theme: MUST be writers born 1960 to 1982. Topics: “Realities, dispelling the narrow, simplified stereotypes created by the mass media and commercial marketing.”
Type: “All genres sought.”
URL: http://www.evenstar.net/mwe/page2.html 

Deadline: 12/31/08.
Submit to: World Swirl Publishing. E-mail (via Word or RTF attachment) to: submit@worldswirl.com.
Theme: True travel scams.
Type: Nonfiction (up to 1,500 words). Will contact only if accepted.
URL: http://www.worldswirl.com

Deadline: 01/01/09.
Submit to: Women’s Studies Quarterly. Submit via various e-mail addresses. See Web site.
Theme: Motherhood.
Type: Prose, poetry.
URL: http://www.feministpress.org/wsq/#callformaterials

Deadline: 01/01/09.
Submit to: Parabola. E-mail to: editorial@parabola.org.
Theme: Water (religious and spiritual issues).
Type: Queries only. Articles (1,000 to 3,000 words). Rarely considers stories and poems.
URL: http://parabola.org/content/view/14/39

Deadline: 01/01/09.
Submit to: Whole Terrain. E-mail to: whole_terrain@antiochne.edu.
Theme: “(r)(e)volution.”
Type: Prose (2,000 words MAX), poetry (3 poems MAX).
URL: http://www.wholeterrain.org/submissions.cfm  

Deadline: 01/01/09.
Submit to: Woodrow Hall Editions. Poetry Jumps Off the Shelf, PO Box 260026, Madison, WI 53726.
Theme: “Lines in the Sand.” Poems that reach across territorial, cultural, or interpersonal boundaries. Nearly lost chances topics will be especially welcome.
Type: Poetry (poems no wider than 3-1/2 inches with a 27-line maximum that includes title, spaces, byline, and credit).
URL: http://poetryjumpsofftheshelf.com

Deadline: 01/31/09.
Submit to: Untitled Anthology. E-mail to: littlesuperheroes@gmail.com.
Theme: Boys 3-8 years old who wants to be superheroes. 
Type: True stories (500-750 words).
URL: N/A. 

Deadline: 02/01/09.
Submit to: Rattle. E-mail (via pasted-in text) to: submissions@rattle.com.
Theme: African-American poets.
Type: Poetry and essays (5,000 words MAX).
URL: http://www.rattle.com/callsforsubs.htm 

Deadline: 02/01/09.
Submit to: Windfall. PO Box 19007, Portland, OR 97280.
Theme: Poetry of place, specifically the Pacific Northwest.
Type: Poetry (5 poems MAX).
URL: http://www.hevanet.com/windfall/index.html

Deadline: 02/08/09.
Submit to: Pockets. 1908 Grand Avenue, PO Box 340004, Nashville, TN 37203-0004.
Theme: Priorities.
Type: Stories (1,400 words MAX), poems (24 lines MAX), and articles (1,000 words MAX).
URL: http://www.upperroom.org/pockets/writer_guidelines.asp  

Deadline: 02/16/09.
Submit to: New Plains Review. Submissions, PO Box 184, University of Central Oklahoma, Edmond, OK 73034. Or e-mail (via Word attachment) to: doug@janestreet.org.
Theme: Service. “Military, community service, school service requirements, jury duty, all forms of volunteering, religious services, food service, customer service, serving a subpoena or tennis ball, etc.”
URL: http://www.libarts.ucok.edu/english/newplains/issue.htm

Deadline: 02/28/09.
Submit to: Queer SF Anthology submission. E-mail (via pasted-in text) to: editor@queeredfiction.com.
Theme: Queer Science Fiction (GLBT).
Type: Short stories (4,000 to 10,000 words).
URL: http://www.queeredfiction.com

Deadline: 03/01/09.
Submit to: Thema. Virginia Howard (for fiction). Gail Howard (for poetry). Box 8747, Metairie, LA 70011-8747.
Theme: Put it in your pocket, Lillian.
Type: Poetry and fiction (20 pages MAX).
URL: http://members.cox.net/thema/submissions.html

Deadline: Unspecified.
Submit to: Novel & Short Story Writer's Market. E-mail to: nsswm@fwpubs.com.
Theme: The Writing Life, Craft & Technique, Getting Published, For Mystery Writers, For Romance Writers, and For Science Fiction, Fantasy & Horror Writers.
Type: Nonfiction (see examples of previous editions).
URL: Unspecified. 

Upcoming Contests

Deadline: 12/20/08.
Submit to: Gulf Coast’s Donald Barthelme Prize in Short Prose. English Dept., University of Houston, Houston, TX 77204-3013.
Entry fee: $15. First prize: $500 and publication.
Type: Flash fiction or prose poems (3 titles/500 words each MAX).
URL: http://www.gulfcoastmag.org

Deadline: 12/20/08.
Submit to: Write2Help.org Inaugural Contest. Submit via online entry form or by mail: Submissions Dept., PO Box 3986, Myrtle Beach, SC 29578.
Entry fee: $10. First prize: $1,000 and online publication.
Type: Short story (1,500 words MAX), ages 13+.
URL: http://www.write2help.org/current-contests.php

Deadline: 12/29/08.
Submit to: Rhode Island Writers' Circle National Poetry Contest. The Writers' Circle, Inc., 1087 Warwick Avenue, Warwick, RI 02888.
Entry fee: $10. First prize: $200, staged readings, and publication in RI Writers’ Circle Anthology.
Type: Poetry (5 pages MAX).
URL: http://www.riwriterscircle.com

Deadline: 12/31/08.
Submit to: Boulevard Short Fiction Contest for Emerging Writers. PMB 325, 6614 Clayton Road, Richmond Heights, MO 63117.
Entry fee: $15. First prize: $1,500 and publication.
Type: Short fiction (no length restrictions). Writers MUST not have published a book.
URL: http://www.richardburgin.net/1boulevardsfcontest.htm

Deadline: 12/31/08.
Submit to: "My Real-Life Story," Glamour, Essay Contest, 4 Times Square, 16th floor, New York, NY 10036.
Entry fee: none. First prize: $5,000 and publication.
Type: True life stories (2,500 to 3,500 words).
URL: http://www.glamour.com/magazine/2008/08/nonfiction-contest-rules

Deadline: 12/31/08.
Submit to: The Laureate Prize for Poetry sponsored by the National Poetry Review. PO Box 2080, Aptos, CA 95001-2080.
Entry fee: $15. First prize: $300 and publication.
Type: Poetry (3 poems/10 pages MAX).
URL: http://www.nationalpoetryreview.com 

Deadline: 12/31/08.
Submit to: Merton Prize For Poetry Of The Sacred. Merton Institute, 2117 Payne Street, Louisville, KY 40206. Or e-mail (via Word 2003 attachment) to: vhurst@mertoninstitute.org.
Entry fee: none. First prize: $500 and publication.
Type: Poetry (MUST be about spirituality, 1 poem MAX).
URL: https://www.mertoninstitute.org/merton_prize.php

Deadline: 12/31/08.
Submit to: MWCC Foundation Inc., 444 Green Street, Gardner, MA 01440. Memo: Freedom Tower Poetry Competition (FTPC). Mark envelope: Life Program, Patricia B. Cosentino, Chairperson, FTPC.
Entry fee: $1 per poem. First prize: Publication for one winner and 100 honorable mentions.
Type: Poetry (3-5 poems). MUST pertain to the Freedom Tower (renewal, rebuilding, reconciliation, forgiveness, peace, trade, and commerce).
URL: http://www.mwcc.mass.edu/lll/Life/tapestries.html

Deadline: 12/31/08.
Submit to: Seventeen magazine fiction contest. Submit via online entry form at URL.
Entry fee: none. First prize: $2,500, laptop, lunch with Meg Cabot.
Type: Short fiction (500 words MAX). Writers MUST be ages 13-21.
URL: http://www.seventeen.com/fun-stuff/special/2009-fiction-contest

Deadline: 12/31/08.
Submit to: Very Short Story Contest sponspored by Lunch Hour Stories. PMB 1117, 22833 Bothell Everett Hwy., Ste. 110, Bothell, WA 98021. Or e-mail to: editor@lunchhourbooks.com.
Entry fee: $5 per story/poem. Entry fee payable online or by mail. First prize: $100 and publication.
Type: Prose poems or short stories (500 words MAX).
URL: http://www.lunchhourbooks.com/shop/home.php

Deadline: 01/15/09.
Submit to: 2008 Lyric Family Prize, PO Box 2494, Bloomington, IN 47402.
Entry fee: $10. First prize: $300, a broadside, a lifetime subscription, and publication.
Type: Poetry (MUST have strong musicality and lyricism).
URL: http://www.lyricreview.org/contest.html

Deadline: 01/15/09.
Submit to: Sonora Review Short-Short Contest. Department of English, University of Arizona, Tucson, AZ 85721.
Entry fee: $15. First prize: $1,000 and publication.
Type: Short shorts (3 pieces MAX/1,000 words each MAX).
URL: http://www.coh.arizona.edu/Sonora/contest.htm

Deadline: 01/16/09.
Submit to: Buffalo Carp Flash Fiction Contest. Quad City Arts, 1715 Second Avenue, Rock Island, IL 61201. Or e-mail to: buffalocarp@gmail.com.
Entry fee: $10. First Prize: $250, publication, five copies.
Type: Flash fiction (3 pieces MAX, 600 words each MAX).
URL: http://www.quadcityarts.com/

Deadline: 01/31/09.
Submit to: Fulton Prize for Short Fiction sponsored by The Adirondack Review and Black Lawrence Press. E-mail to: diane@blacklawrencepress.com. Subject line: “[Your last name] Fulton Prize Submission.”
Entry fee: $10. First prize: $400 and publication.
Type: Short fiction.
URL: http://theadirondackreview.com/FultonPrize.html

Deadline: 01/31/09.
Submit to: New Millennium Writings. PO Box 2463, Knoxville, TN 37901-2463.
Entry fee: $17. First prize: $1,000 and publication.
Type: Prose (6,000 words MAX), short shorts (1,000 words MAX), poetry (3 poems, five pages MAX).
URL: http://www.newmillenniumwritings.com/awards.php

Deadline: 02/08/09.
Submit to: Amazon Breakthrough Novel Contest.
Entry fee: None. First prize: $25,000.
Type: Unpublished novels.
URL https://www.createspace.com/abna

Deadline: 02/15/09.
Submit to: Julia Peterkin Award. Converse College, Department of English, Spartanburg, SC 29302.
Entry fee: $15. First prize: $1000 and travel expenses for a reading at Converse College.
Type: Fiction (5,000 words MAX).
URL: http://www.converse.edu/academics/majors/peterkinjuliaaward.html

Deadline: 02/16/09.
Submit to: Tiny Lights Essay Contest sponsored by Tiny Lights Publications. PO Box 928, Petaluma, CA 94953.
Entry fee: $15. First prize: $400.
Type: Essays. (Specify which category: Standard [2,000 words MAX] or Flash [1,000 words MAX]. MUST show the author’s growth/change.
URL: http://www.tiny-lights.com/contest.php 

Conferences

Georgia: Voices of Christ Literary Ministries International will sponsor a conference "An Introduction to The Scribal Anointing" to be held in Atlanta, GA, on January 31, 2009. More information at: http://www.voicesofchrist.org.

Tennessee: Tennessee Mountain Writers, Inc. will host their "Januray Jumpstart" on January 9-11, 2009 in Sweetwater, TN, and their annual conference on  April 2-4, 2009 in Oak Ridge, TN. More information at: http://www.tmwi.org.

Massachusetts: "Writing From The Heart; A Retreat For Women" will be held January 23-25, 2009 in Rowe, MA. More information at www.rowecenter.org.

News of Interest

The Cell of a Soul, Maria Logven's first book of short stories illustrated by a surrealist artist Michael Cheval, is now available at http://www.amazon.com/Cell-Soul-Maria-Logven/dp/1434399966/ref=sr_1_1?ie=UTF8&s=books&qid=1229530126&sr=1-1.

Naomi Ruth Lowinsky's memoir on being a poet, The Sister from Below: When the Muse Gets Her Way has been accepted for publication by Fisher King Press. Advance orders welcome: http://www.fisherkingpress.com/order.html.

If you want to submit your writing in the new year, we need to receive your work ASAP.

Writer's Relief Review Board Meets: Monday, December 15 and Tuesday, December 16 (Writers enter our FULL-SERVICE BY INVITATION ONLY, so send your work to our review board ASAP).

We will be accepting e-mail queries, as well as regular mail submissions to our review board. Be sure to include the words “Review Board” in your subject line.

This is a great time to enroll in our services and to energize your submission strategy. If your work is chosen, you’ll begin the new year with your writing as a priority. You’ll be enrolled in our client list for the December – February cycle, and your submissions will go out when the majority of agents and editors are reading. It’s a great time of year to begin your new submission strategy. We’ll list openings in specific genres below. Please DO NOT send work in genres that are not listed.

If you're NOT a do-it-yourselfer and want to utilize our FULL Service (rather than our A LA CARTE Services), you need to send work to our REVIEW BOARD. Keep reading.

There are some important differences between our A La Carte Services and Full Services. If you are accepted into our FULL-SERVICE client list:

We propose, prepare, and proof content for cover letters. (You’ll benefit from what we’ve learned since 1994. We know what editors and agents want to see in your cover/query letter.)

We review and target your work to specific markets based on content, length, reading dates, etc. (You’ll never again have to spend countless hours researching markets for your work.)

We proof and prepare your work to industry standards, prepare master copies, and maintain electronic or hard copy versions of the work here at Writer's Relief, Inc. (Proper formatting ensures a good read,  and, if your computer crashes, we’ll have a master copy of every title on file.)

We prepare 25 - 30 submissions for each title (or group of poems) within each two-month cycle. (When was the last time you accomplished this?)

We print your individually addressed cover/query letters. (You’ll simply sign your letters, and they’ll be ready to go. You don’t have to create merge files, etc.)

We track every submission. (You’ll know what’s going on with every submission without doing any filing.)

We offer guidance regarding submissions, acceptances, etc. (Each client is assigned two personal submission strategists.)

How many submissions have you mailed in the past two months? This is a great time of year to focus energy on your writing. If you've been putting off getting your work to our review board, now's the time to send it to us. Writers submitting their work regularly and extensively increase their odds of acceptance . . . dramatically. We have a limited number of openings available in specific genres. This upcoming cycle is one of the best times for you to enter our client list.

Our review board will meet Monday (December 15) through Tuesday (December 16) and make selections for the coming cycle. This means you will have the opportunity to have your work read in a very timely manner. If you would like your work considered, be sure it arrives in our office before this date. After selections are made we will not be registering new clients for at least two to four months. Use the e-mail or street address below.

We are reading in the following genres only:

Novels—Send synopsis, first 30 pages of your unpublished manuscript, sample query letter, your biography, and a self-addressed, stamped envelope. (For e-queries, synopsis and samples pages may be in one file.)

Nonfiction (books)—Send chapter outline, proposal, sample chapters (30 pages) of your unpublished manuscript, your biography, and a self-addressed, stamped envelope. (For e-queries, chapter outline, proposal, and sample pages may be in one file.)

Short Stories or Personal/Creative Essays—Send three unpublished stories (each under 5,000 words), your biography, and a self-addressed, stamped envelope. (For e-queries, each story should be in a separate file.)

Poetry—Send 10 - 12 unpublished poems, your biography, and a self-addressed, stamped envelope. (For e-queries, paste poems into one file; one poem per page.)

We will mail our letters of acceptance or rejection before December 18, which means you won't have to wait long for our decision. Our review is FREE. If our review board determines your writing is strong enough (and markets are plentiful enough), they will send you an invitation to join our services. They will quote you FLAT FEES at that time. You may accept or decline their invitation. A list of fees and services may be found at http://www.writersrelief.com/comparison.asp.

Keep in mind that we must turn away 80 percent of the work that comes to us. However, if your writing is strong, don't let procrastination, hesitation, lack of marketing experience, or fear stop you from submitting your work.

Wouldn't it be amazing to get your submissions in the mail to all the best publishers and agents? Writer's Relief has successfully helped writers beat the procrastinator in them since 1994. We help clients find the time to write.

Writers have been looking to us for years to help them alleviate the countless hours needed to research ever-changing writers' markets. We continue to have the most current and best writers' markets included in our database. Because our database is updated daily from information we receive from all of our clients, as well as thousands of journals and agents directly, our lists are more up-to-date than any market book or online source.

Send Writing Samples To:

For e-mail queries: Send to Kriste@wrelief.com. We will accept the samples as attachments ONLY in .DOC, .RTF, or .WPD format. (E-mail submissions MUST include all pieces itemized above, including cover letter and BIO pasted into the body of your e-mail, and sample pages attached, or they WILL NOT be reviewed. No SASE needed for e-mail submissions.) Include the words “Review Board” in your subject line.

Or mail your submission to: Review Board, Writer's Relief, Inc., 409 South River Street, Hackensack, NJ 07601

Be sure to include your contact information including e-mail and phone number.

We want to be your partner in the submission process. Call us toll-free (between the hours of 8:30 a.m. and 2:30 p.m. Eastern Time) if you have any questions. One of our personal submission strategists will be happy to spend a few minutes with you on the telephone.

Keep Writing And Submitting!

Ronnie L. Smith, President
Writer's Relief, Inc.
(866) 405-3003 (toll-free), (201) 641-3003
http://www.writersrelief.com

P.S. Have your work in our office by Monday (December 15).

John Steinbeck, William Faulkner, and Margaret Mitchell found themselves writing during some of the most difficult—and arguably the most historic—years in our nation’s history. When things get rough tenacious American writers step up to the plate to produce meaningful and dramatic works of art that live on for generations. Where do readers and writers turn when times get tough? Click the link below to read about trends in art and entertainment during The Great Depression. Maybe you’ll discover something inspiring for your own writing at this time in our history!

http://www.sparknotes.com/testprep/books/sat2/history/chapter17section3.rhtml

by Gilda Haber, Ph.D., Department of English Composition, Literature and Professional Writing

As instructors some of us love to write, and some of us also enjoy attending writers’ conferences. This summer I attended three writers’ conferences—one in Manhattan at Marymount Manhattan College, one at UDC, and one at Georgetown University, held by Washington Independent Writers (WIW).

Prior to the conference registrants receive a program and a list of available agents. It is wise for participants to choose the panels they wish to attend and to research and make appointments with agents in your genre prior to the conference. The writing conference is a good opportunity for the serious writer with an idea or a manuscript to network.

We meet other writers and authors, share our interests, attend specific panels of choice (such as a fiction, nonfiction) or meet, one-on-one, with literary agents. Each member of a panel speaks on his or her expertise and takes questions on how to write and sell one’s work. Most importantly, serious writers usually sign up to meet agents who attend the conference. Although hard to get, agents are interested in finding new talent.

One of the goals of a writers’ workshop is to meet agents in person. But both panel speakers and agents are relentlessly focused on writing as a business. Either work is well-written and has possibilities of selling to the public or it isn’t. You may have one but not the other advantage. Agents and publishers also put in long hours without compensation for the love of bringing a book from conception to birth. You must seek out the agent right for you, one who has sold books in the field that interests you, and one with whom you feel comfortable. The agent not only judges your work, but judges you personally, as to whether he or she likes you. You do the same.

I came armed with business cards and with queries, hoping, in 60 seconds, to seduce some agent with the excellence, uniqueness, excitement, and salability of my work. Who else but a writer labors intensively, creatively for months or years for the love of writing, to create a work of art and with no sure reward in sight?

Frankly, I was terrified of meeting some of these agents in person, especially those who have represented famous people. So far I had only read agents’ credentials on paper and seen the kind of deals they made, the kind of books they sold. The agent I most feared seeing turned out to be friendly but strictly businesslike. From my experience and from agents met at writing conferences, I learned the following:

One needs talent to write but, to paraphrase Edison: "success is 99% perspiration and 1% inspiration." Work hard and be persistent in sending out your work.

Do not copy anyone else’s style. Be yourself and develop your own. Welcome constructive criticism. It is the highest form of friendship. Give constructive comments to friends’ writings. If your grammar is weak, find a good copy editor.

Writing groups are very useful for feedback. (I, myself, run a writing group.)

Find out which books are written on subjects that interest you and who was the agent, editor and publisher for those books. Such information is often found in the book’s acknowledgments or by Googling the book’s name and author. Get to know that agent’s background, even his/her hobbies and interests.

There are books in public and school libraries on publishing markets. Buy one.

Do not send work sloppy in appearance or make spelling mistakes.

Be professional. Make sure to spell the agent’s name correctly. Read the agent’s rules for submission, and strictly observe those rules.

Do not unduly flatter the agent or boast about your own work.

Research dates, times, names, events, even names of paintings for authenticity.

Use verbs. Avoid adjectives and adverbs; show and do not tell readers what happens. Where appropriate, use dialogue; but dialogue must move the action.

Prepare a query before writing to an agent. Your query can refer to one or two books that agent has sold but not to all the agents’ sales. This is gratuitous.

Your query should consist of: why you chose this agent; why you are writing this book; what the book is about; why you are qualified to write this book; and how it differs from other books written on the same theme; say who will read your book and what you can personally do to promote the book’s sales. All this information should be written on one page. This is one of the hardest parts of writing.

If the agent answers your one-page query and says he/she is interested, either you know what the agent wants you to send next or ask the agent what he/she wants you to send. Do not get too excited. This is only the first of many steps.

Only send material when it is your very best work. There are no second chances with an agent. Revise and share it with peers and/or an editor relentlessly.

Fiction should be complete before sending; nonfiction has different rules.

Do not expect to be accepted at once. Expect many rejections. Some famous books were rejected as many as 50 times before becoming best-sellers. Some great books never become best-sellers. Do not leave your job or expect to become rich unless, besides being a good writer, you happen to be lucky. When it is rejected revise, revise, and share your work with other writers. As you revise early work, you will become more adept; writing ages like fine wine. Revisions with constructive peer comments or editorial assistance will refine your writing.

Keep a journal or a diary to write down interesting material, even dialogue as it occurs.
This will make your writing fresh, even if you use the material years later.

Write what you know about, but be careful in writing about someone you know. People may sue a writer if they recognize themselves and object to your presentation of them, especially if their personal lives are revealed.

There are grave challenges and risks to take as a writer. One exposes all of one’s skills and charms, as well as one’s weaknesses and foibles to others. But what joy when I see one of my 40 articles or stories in print, and what a joy it is to write!!

Good luck! See you at the next conference!

Could you write your memoir in six words?

Check out the the six-word memoirs written by writers in all stages of their careers at http://www.smithmag.net/sixwords/. Some are evocative and mysterious, others are side-splitting fun.

Here's ours: Writer's Relief helps you, write on. 

Poet Deborah Cross and photographer Julio Marquez announce the publication of their book Touched By Infinity. To read more or to buy a copy, visit http://www.blurb.com/bookstore/detail/393670.

Delray Beach, FL: The Palm Beach Poetry Festival will be held January 19-24, 2009. For more information visit: www.palmbeachpoetryfestival.org.

New Orleans, LA: Playwright Rosary O'Neill will be signing copies of her books December 27th from 3:00 to 5:00 PM at the Faulkner House, 624 Pirates' Alley.

New York, NY: Michael Schein will be holding a reading and book signing at Partners & Crime bookstore, locate at 44 Greenwich Avenue, on December 2 at 7:00 p.m.

San Francisco, CA: Phyllis Grilikhes will read from her poetic memoir To Set a Light in Every Tunnel, Friday, December 5, 2008 at 7 p.m. at Books Inc., in Opera Plaza, 601 Van Ness.

Our great-grandparents might not understand, but many of us now wake up to our Yahoo! or MSN home page to get our daily news and celebrity gossip fix. While daily newspapers will continue to be an important part of our lives, there’s no denying the impact of having such an array of online reading material. According to many surveys, more and more people than ever before are using the Internet to read the news, access blogs, articles. Studies also show that people tend to access online journals more frequently than print journals. Again, print magazines and journals aren’t in danger of disappearing anytime soon, but the Internet offers an alternate source of reading material—material that is usually up-to-date, easily accessible, often free, and conveniently waiting for us in our own homes or on our laptops. And as we ease into the world of cyberspace, online magazines and literary journals are quickly earning prestige and increased readership.

Online Magazines and Journals

There is a proliferation of literary magazines popping up on the Internet, and this is changing the way literature reaches readers. Suddenly, literature is more accessible to the entire world, and E-zines are offering more selections to their readers. These online magazines are finding better ways to meet the needs of writers and their readers, becoming a defining force in literature.

Literary journals and E-zines usually publish poetry, short fiction, and essays and offer information about authors and book reviews. Much of the work is written by new writers, so beginning writers take note: The Internet offers greater opportunities than ever before to get your work published. It hosts a variety of smaller-niche publications that offer new writers a forum for their work, as well as a worldwide audience. This translates to more people seeing a writer’s work than ever before. And, as it should be, the goal of these E-zines is to feature the work of deserving writers, both experienced and inexperienced.

Suppose you’ve placed a short story in a respectable print journal. Your story will be in active circulation for a certain number of weeks, and then it will be moved to the archives. If your story appears in an online literary journal, it may be viewed by thousands, and when it is archived, a mere click of the mouse will bring it back to life. No trips to the back rooms of libraries. Plus, your story will be viewed by people all over the world who may not have access to work you’ve published in print. This long-term exposure is a definite advantage for the author. This may explain why many mid-list literary magazines are switching to both online AND print editions.

New writers who are looking to be published in a print magazine would do well to target the mid-list (or second-tier) literary magazines. Obviously, the very best placement for an author’s short fiction would be in first-tier magazines; but if this goal is unattainable, online publications are a great way for new writers to get those first credits.

The Internet also offers writers newsletters, chat rooms, and forums where they can network with fellow writers from all over the world. This is a great way to stay current and glean information about particular editors and agents or hear about new E-zines and what they are looking for.

Blogs (short for Web log) have been on the Internet since the early ’90s. Originally, blogs started as personal diaries online, but that has since evolved and expanded. Not only are blogs for personal use, but blogs are often vehicles for sharing and discussing specific subjects, such as travel, politics, entertainment, and, of course, creative writing. Some of these blogs for creative writers can serve as an online journal, publishing a new poem or short story on a daily basis. Other writer-friendly blogs, such as http://www.writersreliefblog.com, offer information and advice for improving one’s writing skills.

Editors/agents will consider your work published if it’s posted publicly on your blog. Avoid sharing your work until it’s already been published elsewhere, giving credit to where it was first printed. In addition to sharing already-published work, if you’re promoting a book you’ve written, you can have friends and loved ones comment with reviews, announce book readings/signings, etc. Start sharing your blog link—that is, the URL, the WWW to get to your blog—in your e-mails and other communications. The more people you have visiting your blog, the more likely people will spread the word. An added bonus is that your rankings in Internet searches will increase.

Animal Husbandry, a poetry chapbook written by Susan Lewis, is available for pre-order. More information at www.finishinglinepress.com.

Rosary O'Neill's play Beckett at Greystones Bay will be read at the Morton Memorial Library in Rhinecliff, NY, on October 3rd and at The National Arts Club (http://www.nationalartsclub.org/index.htm) on November 12th.

The Orange Juice is Over, a poetry chapbook written by Hilary Sideris, is available now for pre-order. More information at www.finishinglinepress.com.

Call for submissions: The Kartika Review is an online journal seeking writing by Asian Americans. Visit http://www.kartikareview.com for more information.

Check out the new children's book Day's End Lullaby at http://www.childrensbooksbykarenandrobyn.com/.

On October 25, 2008 at 7:00 p.m., Alice Pero will be a featured reader at Barnes and Noble, 16461 Ventura Blvd., Encino, CA 91436.

Dear Writer Friends,

We here at Writer's Relief had a good laugh recently over a video we found on YouTube, and we wanted to share! This three-minute video imagines a world where fonts are actually human beings. It's a riot!

Click this link to enjoy: http://www.youtube.com/watch?v=i3k5oY9AHHM

Keep the creativity coming,

Writer's Relief Staff

Are you one of those guilty people who reads while you have a few minutes to spare in the bathroom? You're no